By Helena Sheridan
I got infatuated by the concept of Burning Man in 2012. At the time I had no idea it would lead me to experience Burns on three different continents.
I didn’t realize it would suck me so deep into a culture of people so diverse, yet so similar, that I would eventually draw a (small) salary from it and get to be involved all year round in creating spectacular events and experimental communities.
DPW in Tankwa Town…. (Photo credit: Adriaan V Zyl)
In 2015 my involvement as the Coordinator of AfrikaBurn’s Department of Public Works gave me an opportunity to travel to Australia and work with Red Earth City’s Department of Planning and Infrastructure.
The setting, the faces and the accents may change, but at its core the spirit of the people, who give so much of their time to put on an event of this nature, remains the same. This is my tribe.
Same / Same, but Same, but Different
To date I’ve been lucky enough to work at Nowhere, the European regional Burn in Spain (2012 and 2013) with around 1000-1200 participants and at AfrikaBurn, the world’s biggest regional, in the Tankwa Karoo of South Africa (2013 to 2015) with numbers in the range 8000 to 11,000.
Burning Seed 2015 was a fantastic middle ground in terms of participants (3,400 or so) and I really enjoyed the sense of community I found at Red Earth City.
….meet DPI at Red Earth City. What is it with this crew and containers??? (photo credit: Andy Flint)
Interestingly the concerns and issues that plague the membership and the Operations Team at AfrikaBurn HQ in Cape Town also resonate with the Burning Seed team in Australia.
The rapid growth of the events, the constant need to reinforce the message of consent, conflicts between the Ten Principles, keeping everyone happy in a radically expressive environment and burn-out amongst key team members seems to be all too evident both sides of the pond.
Meeting the Challenges of Event Growth
How does a decommodified event start to pay key crew-members? To what extend do we rely on volunteerism and how does involvement not become exclusive if only certain people can afford the time to work on the event? How do we keep growing our events while making sure the culture and Principles of the movement are not lost in the influx of virgins? And at what time can we expect big sound systems to shut up for a while so we can hear the sounds of the beautiful environments in which we find ourselves?
I certainly got new insight on some of these questions during my time at Seed 2015 and I hope I provided the crew on that side with some new perspectives too.
For one thing, I was really inspired by the amount of time, money and effort the citizens of Red Earth City put into theme camps (at AfrikaBurn there are no theme camp grants and there’s a lot more focus on mutant vehicles and big artwork).
Helena (centre) hanging out with the Red Earth rascals at the Matong local
It did me good also to see how the communities in Sydney and Melbourne hang out, get creative and take Burner culture back to the cities where they live. Seeing how involved people get in their camps or artworks allowed me valuable perspective as someone who has always just seen the practical, infrastructure side of such creative events.
Come say Aweh
I hope more of the core crew and participants from Seed can come visit us in South Africa to see how much we do with so little. The third world (and our location 3hrs from ANYthing) certainly makes us think outside a lot of boxes and a lot more ‘McGuyvering’ is implemented.
I think our two events can learn a lot from each other and together we can all take big bold steps into the future.
I want to thank everyone who hosted me, offered me a couch, a tent, a sleeping bag, a meal, a drink, a puff, a pill, a good time. I have much admiration for the crew putting on this spectacular event without a cent to compensate the time they put in and I have made a whole lot of fantastic new friends.
Come to Tankwa Town, I will look after you!
Yours in dust and deet…. Helena
AfrikaBurn takes place between 25 April and 1 May 2016 – at the time of writing, tickets are pretty close to selling out, so get in quick.